Lunch Bunch is an often hilarious play that hits on some very current threads about consumerism, food culture, and the instinctive ways in which alphas and betas will always emerge…

I’m not sure what the rules of sampling are anymore. Beyonce can repurpose Robyn S.’s “Show Me Love” and count it as its own entry on her discography, even winning…

  Now begin the consequences of last week’s midnight snacking on Frozen Jackie. But this episode also poses a new threat to the show: do we have too many disparate…

The new series Beef starts out with an (off-highway) instance of road rage, but turns out to be so much more. Creator Lee Sung Jin’s ten-episode series is a actually…

In Knock at the Cabin, based on the Paul Tremblay novel, The Cabin at the End of the World, has a disturbing premise. Andrew (Ben Aldridge) and Eric (Jonathan Groff)…

Pity poor, Jen (Máiréad Tyers), a lone wolf on Erin Moran’s new show Extraordinary: In a sea of people granted unique superpowers at the age of 18, she’s still waiting…

There isn’t really a place on the current Broadway scene, governed as it is by star vehicles and recognizable IP. How can a program of unlinked vignettes and anonymous dancers…

Future Imperfect: “Hello Tomorrow” reviewed In Hello Tomorrow!, Apple TV+’s latest, Jack Billings (Billy Crudup), a traveling real-estate salesman, is trying to sell the moon. For just $150 a month,…

Midnight Madness: “Bad Cinderella” reviewed The Vegas-ification of Broadway continues this season. No, this is not a slight against bombastic shows with flashy numbers and greased-up chorus boys and girls…

Life of Pi, the Olivier Award-winning spectacle adaptation has just opened on Broadway, confirming a much more seamless transcontinental journey than the material from which it is based. Adapted from…